Under Lock & Key

Fuck the FBI and the Army troops
fighting for what?
Bitch, be your own man.

While this was just a couple lines out of tons of bullshit he’s spit, they’re pretty strong words. Not known for being politically outspoken, there’s no doubt his inspiration comes from the countless radical/nationalist MCs who came before him and influenced his thoughts and rhymes. He even outdid his adversary Ice-T who said “fuck the FBI,” but never fuck the troops. The troops ain’t nothing but the police for oppressed people in other countries; the CIA abroad is the FBI at home. Fuck oppression! Fuck ’em all!

While it was good to hear someone like Soulja Boy put out such strong anti-imperialist words, especially with all the 9/11 talk these days, it was discouraging to see the response and who’s responding. There have been multiple diss songs and videos made in response to Soulja Boy, by hip hop artists in the military, at least some of which are from oppressed nations. The response wasn’t just strong and swift, it came from his own fans and more generally from fans of hip hop music. In Under Lock & Key issue 10 we questioned whether hip hop was still a culture that represented the oppressed, and when you see these videos you really have to doubt it.

One Black male MC sports a shirt reading “America the Beautiful.” His politics echo those of the white militias made up of ex-military people that are very critical of the government, but have much love for the country and respect for the troops and the privileges they fight for us to have. All of the artists seem to find that requisite “hardness,” that is so integral to the gangsta rap persona, in their identity as U.$. soldiers. One threatens to waterboard Soulja Boy and pull out his finger nails.

The fact is, the pro-U.$. troops lyrics aren’t that far from a typical gangsta rap song. The United $tates is the biggest gangster in the world, so that makes sense. The boys in blue are the biggest gang on U.$. streets. So we see gangsta rap too often reflecting and reinforcing the ideology of the oppressor, rather than challenging it.

In other Soulja Boy news, he is supposedly working on a remake of the film Juice, where he will play the role of Bishop, originally played by Tupac Shakur. On September 13, we commemorate not just the fallen soldiers of the Attica uprising 40 years ago, but it is also the 15th anniversary of the death of self-proclaimed thug and rapper 2pac. Pac was unique in keeping his music both gangsta and for the people; a fine line most can’t seem to walk, and perhaps impossible today when gangsta rap is mostly a caricature. Unlike Soulja Boy, Tupac never apologized for shit, and he said some things that got people riled up. There is little doubt that his real connection to oppressed people in Amerikkka lead to his untimely death.(1)

While Soulja Boy’s three lines don’t compare to Tupac’s legacy, in those lines we may have seen him connecting to the oppressive conditions he grew up in – a glimmer of truth. While the U.$. military is disproportionately Black (18% of military vs. 11% of general population), it is also disproportionately middle income.(2) The poorest 20% of the U.$. population was the most under-represented income group in the U.$. military in 1999 and 2003.(3)

Since the Vietnam war, Blacks have increased their over-representation in the U.$. military from a factor of 1.14 to 1.40.(2) This shows the effects of integration without providing Black youth with quite the same opportunities as their white counterparts. The increase in Black military recruits seems to correspond with an overall bourgeoisification of the Black nation. Not only were there fewer Blacks (per capita) in Vietnam than Iraq and Afghanistan, but Black power and linking it to the struggle of the Vietnamese against U.$. imperialism was widespread, and fragging of white officers and even all out fighting between Blacks and whites on bases was not uncommon.

As the Black nation becomes more bourgeois, the pressure to Amerikanize increases for Blacks of all socio-economic standings. To the poor and oppressed who see no hope in U.$. imperialism, we echo Soulja Boy’s words, “Bitch, be your own man!”

Rise of the Planet of the Apes is the second remake of the original Planet of the Apes movie series. It is an origins story, replacing the Conquest of the Planet of the Apes story which was fourth in the original five part series. Conquest was released in 1972 and depicted a storyline clearly intended to parallel the Black liberation movement that had just peaked in the United $tates at that time, but with an actual successful revolution. Conquest and the final part of the original series, Battle for the Planet of the Apes, presented clearly revolutionary themes. Even the first couple movies of the original series did more to challenge white nationalism than this recent remake. This difference is due to the stage of struggle in the United $tates at the time.

Today, the first movie (released in 1968) is easily dismissed by the oppressor nation as a commentary on the “distant” past of slavery, rather than what were modern social injustices. When that film was redone in 2001, it did not live up to its predecessor’s social relevance. Based on that disappointment, we expected a stronger effort to dilute the origins story for another hollywood blockbuster. Instead, we were pleasantly surprised to find that Rise actually maintained the revolutionary origins story, and even linked it to the modern prison struggle in relevant ways.

This movie probably won’t be making the rounds in too many prisons due to the blatant themes of prisoners educating themselves and building unity to escape their abusive conditions. But there’s nothing to learn from this movie that one couldn’t get easily, and of course more usefully, from picking up any issue of Under Lock & Key.

Rise was pretty formulaic in story and form. It contains lots of fast battle scenes and loud music, and followed the predictable story line with flat characters. There were plenty of quotes from the original movie series thrown in as well as recognizable character names.

The good aspects of Rise were also simple, but surprisingly relevant. The strongest positive message we saw in this film was the need for self-determination and the struggle against integrationism. Caesar, a chimpanzee, and the hero of the story, refuses an opportunity given by his former benefactor to leave prison and return to the humyn world. In a few days or weeks Caesar develops an affinity for his fellow imprisoned apes, which trumps his many years living with humyns. He turns his back to Dr. Rodman and stays in prison to continue building and organizing with fellow apes. This is a very relevant point to the imprisoned population, especially in a day when the oppressed nations have reached high levels of integration into Amerika. With people shuffling in and out of prison and jail, it is easy to choose an Amerikan identity over that of the oppressed. We also see many who work tirelessly to get themselves out of prison, without ever joining the larger prison movement. Caesar is clear that alone apes are weak, but together they can be strong. This is a very simple yet relevant refrain to our current situation in the prison movement today.

An orangutan responds to Caesar’s comments on unity by saying that apes are dumb, not unlike what many prisoners who write MIM(Prisons) say about their peers. The solution to this in the film, and the material origin of apes taking over humyn society, is in a virus produced by a bioengineering project. This allows ape brains to develop intelligence that they never could before. In real life, the imprisoned and oppressed do not face a material disadvantage in intelligence, but are set back by the oppressor’s conditioning through both the carrot and the stick. In real life the ALZ 112 and ALZ 113 viruses from the film are instead Marxism-Leninism-Maoism: the tool that can give the oppressed the intellectual material they need to organize effectively.

As part of his organizing efforts, Caesar allies with a silverback (dominant) chimpanzee and puts him in a position of leading the group in sharing and developing a group consciousness, without the silverback really understanding at first. It was a good lesson in leadership within a United Front and how we might work with those who are recognized as leaders for their dominant roles within the group, but don’t yet possess the leadership skills and revolutionary understanding to lead the oppressed down the road of liberation.

Just like in U.$. prisons, the apes educate each other in secret because they know that they will be targeted for special repression if seen. The interactions between the imprisoned apes and humyn captors is crude, accurately reflecting the basic relations in U.$. prisons for humyns today. In this way, Rise could play a small role in building consciousness among viewers that would make them more likely to be sympathetic of prison resistances such as those organized across California and Georgia in recent months. While the majority of the audience will find itself rooting for the apes while watching this film, in real life most will follow their own self-interests in the situation and root for the state in repressing any group that challenges the status quo.

The role of Buck the gorilla gives us an important lesson in revolutionary suicide. In the final battle scene that takes place on the Golden Gate bridge in San Francisco, he takes a bullet for Caesar just before taking down the last humyns left standing who threatened the lives of other apes in the battle. He recognizes the unique capabilities of both himself and of Caesar and puts the interests of the ape liberation struggle above his own life to guide his actions. At this stage in the struggle we are not engaged in protracted war, but revolutionary sacrifice is still relevant to how we decide to spend our time and organize our lives, and even in peaceful struggles lives are sometimes taken by the oppressor. Buck’s revolutionary suicide is an example of a sacrifice that had to be made in order for the ape struggle to continue.

In the end of the film, Dr. Rodman again plays the role of liberal integrationist asking Caesar to come back and live with him, saying “this is not the way.” Caesar speaks a full phrase for the first time and says “Caesar is home” referring to the population of just-liberated apes taking up residence in the forest. Of course, in real life the consciousness of the oppressed internal semi-colonies leans much more heavily in the direction of integration than Caesar, who has actual biological differences from the humyn species. In the movie, differences between apes and humyns had just begun to weaken, whereas the socially imposed differences between the oppressed and oppressor nations inside the United $tates have eroded over many decades. Even if Caesar tried to integrate, he could never live the lifestyle of a humyn, in contrast to the large proportion of the internal semi-colonies that enjoy the comforts of imperialist exploitation.

The show centers on a seemingly friendly encounter with space aliens who visit planet Earth. The space aliens first arrive bearing gifts of advanced medicine, superior technology and their trademark logo of “we come in peace.” The show also focuses on a small, infant underground movement of humyns committed to unmasking the seemingly friendly space aliens for what they really are: hostile space invaders or intergalactic imperialists who have in all reality begun an undercover invasion of planet Earth, which most humyns either don’t realize is taking place or are too busy being bought off to admit.

The united front portrayed in this show was started by an FBI agent assigned to the anti-terrorist unit; a liaison to the space alien delegation; a rogue priest; a space alien who’s committed species suicide by coming over to the side of the humyns; and a so called “terrorist” who’s wanted by the “international community” for supplying Third World liberation movements with weapons and guerrilla warfare training.

As a matter of fact, FBI agent Erica Evans was first tasked with capturing the wanted “terrorist.” However, once she finds out what the space aliens are really up to by spying on underground anti-space-alien organizations with methods straight out of COINTELPRO, combined with her own near-death experience with the intergalactic imperialists, she decides that it’s time to form an opposition to the invaders. So along with the alien species traitor Ryan Nichols and the rogue priest, they begin to seek out and court the wanted “terrorist.” Despite the FBI agent’s hate for this “terrorist” she knows that if this anti-space-imperialist movement is gonna be for real, then the humyn species is gonna need all the tactical assistance it can get, even if that means hooking up with her enemies.

This rag-tag band of individuals eventually unites to re-establish the then-defunct Fifth Column, an anti-space-imperialist movement originally founded by empathetic space aliens who committed species suicide in order to protect the prior oppressed species whom the parasitic space imperialists enslaved and wiped out.

In real life, the historical Fifth Column were Nazi infiltrators in several European states such as Poland, France and even the USSR, leading up to and during WWII. Their main objective was to sabotage and wreck government and military institutions for the purpose of softening the ground in preparation for Nazi attacks. The real Fifth Column was most notably brought to light by the Soviet Union’s purge trials of 1937-38 which Stalin ordered to smash the fascist traitors. The Fifth Column depicted in the TV series is an anti-space-imperialists movement instead of pro-Nazi.

In the most recent episode the insurgent rogue priest known as Father Jack has become conflicted by the humyn death and collateral damage, so much so that he begins to endanger the movement by refusing to adhere to the Fifth Column’s version of democratic centralism when it comes to the group’s mission. Instead of kicking him out of the movement, they subject him to a sorry excuse of party criticism and then keep him around based on his laurels.

In countless other episodes the importance of the individual and the individual’s needs are stressed to the point that it leaves the impression that if any one of the Fifth Column leaders doesn’t get his or her way then the movement will suffer irreparable damage to the point that its very existence will be put in peril. While leaders are certainly important to any movement this show takes the meaning and importance of a leader to a whole different level.

In recent episodes they’ve also shown how the Fifth Column’s small-scale focoist adventures have now inspired many other humyns across the globe to band together and form a larger mass organization of the same name to launch spectacular focoist attacks on the space-imperialists. Little by little however the Fifth Column has begun to land serious blows to the space invaders proving that a united front, though an uneasy and still developing one, does work. While we don’t encourage the focoist approach of armed struggle without consideration of the imperialists’ strength, the humyns on the show are at a tipping point where the space imperialists’ sinister plans would have severe dire consequences if not immediately stopped.

In the original “V” series of the 80s, “V” stood for victory and the mass of humynity eventually came together to launch a protracted guerrilla struggle against the oppressor space imperialists. When that series ended the viewer was left doubting whether the humyns prevailed.

Who knows how this updated version of the series will turn out. In a realistic approach the humyns need to first get their shit right, and instead of launching their spectacular focoist attacks, they need to begin the long arduous task of building public opinion against the invaders to bring the bulk of humynity together for when the real battles begin.

Jasiri X is a hip hop artist from Pittsburgh who raps the news over some dope beats produced by The Grand Architect Paradise Gray of X Clan. The two release these tracks as videos on youtube.com in a series titled “This Week with Jasiri X.” Jasiri X is popular in activist circles, frequently performing and speaking at benefits and rallies. We’ve been bobbing our heads to his tracks since the release of OG3 - Oscar Grant Tribute in January 2009, but in light of his most recent release, American Workers vs. Multi-Billionaires, we decided to take a closer look.

OG3 tells the story of the murder of Oscar Grant and the rebellions following his murder, from the points of view of Oscar Grant and the protesters. Although the facts aren’t 100% correct in OG3, it is a good example of the many tracks Jasiri X has released about police brutality and aggression against Black people in Amerika. A track titled Free the Jena 6 was one of the first that got peoples’ attention, and he continues to shout out victims of police execution and violence by name.

When working on an international piece, Jasiri X correctly draws connections between police brutality here and imperial aggression against Third World peoples around the world. He recently released a track about the uprisings in Egypt with M-1 of Dead Prez, titled We All Shall Be Free!

Despite his revolutionary lean, Jasiri X still holds on to his Amerikanism on several issues, which comes up big time in American Workers vs. Multi-Billionaires. The video for this song was shot inside the capitol building in Madison, Wisconsin, against a backdrop of labor aristocrats raising a stink to keep their “fair share” of the imperialist pie. The title implies that a line is being drawn between Amerikan “workers” and the capitalist multi-billionaires with this union busting legislation. However, as outlined in several articles and books(1) Amerikan “workers” are actually fundamentally allied with the imperialist, capitalist class on an international level. It is only because of the pillage of resources and lives in the Third World that the government employees in Wisconsin even have health care in the first place. Defending this “right” to health care is essentially the same thing as supporting Amerikan wars, which Jasiri X says he is against. History has shown that the multi-billionaires won’t give up theirs without a fight.

“When did the American worker become the enemy?
Why is wanting a living wage such a penalty?”
- Jasiri X from “American Workers vs. Multi-Billionaires”

The Amerikan “worker,” or labor aristocrat, is the enemy of the majority of the world’s people because their lives are subsidized by the economic exploitation of the Third World. Third World peoples’ sweat, blood, and lives are wasted to pay for the Amerikan “worker’s” pensions and health care. This is because most of the “work” that Amerikans do does not generate value; we have a service-based economy. The only reason our society has such a disproportionately high “living wage” (as if those who make less die) is because we are comfortable swinging our weight around in imperialist wars of aggression to extract wealth from the Third World. Jasiri X seems to be opposed to this extraction of wealth, but does not make the connection that Amerikan “workers” are directly benefiting from it, and not just the multi-billionaires.

Jasiri X seems to adhere to an anti-racist model of social change. Besides being supported by an incorrect analysis of history, it also has him defending Obama as a Black man, rather than attacking him as the chosen leader of the largest and most aggressive imperialist country in the world. Jasiri X correctly pins Obama as an ally of the Amerikan people; their key to a comfortable lifestyle and fat retirement plan. But as an ally of the oppressed, Jasiri X should accept that Obama, and the labor aristocracy, are enemies of the majority of the world’s people, and leave patriotism behind. Agitating for the betterment of people in Haiti, Palestine, Egypt, Iraq, etc. as Jasiri X does through some of his raps, while at the same time defending Obama and the Amerikan “worker,” is a recipe for stagnation. If we want to end oppression the world over, we need to have a clear idea of who are our friends and who are our enemies.

The Real Life of Alejandro Mayta
Mario Vargas Llosa
Aventura press, 1986

Peruvian author Mario Vargas Llosa won the Nobel Prize for Literature in 2010. Widely known as an author who writes about political events in Peru, and takes a vocal position on politics throughout Latin America, this review only addresses one of the many books he has written. But it is a good example of the political views of Vargas Llosa whose politics have made him an enemy of the people for many years. Vargas Llosa claims that he supported revolutionary politics earlier in his life, but if true, he firmly and thoroughly changed that and works hard as a critic of people’s movements and a supporter of imperialist so-called democracy. He has written many works of both fiction and non-fiction, and lost a bid for president of Peru in 1990, during the height of the Peruvian Communist Party’s fight for liberation of the Peruvian people, to Alberto Fujimori.

After being named the Nobel winner, Vargas Llosa said, “It’s very difficult for a Latin American writer to avoid politics. Literature is an expression of life, and you cannot eradicate politics from life.”(1) We would agree with that statement, and as we demonstrate in this review, The Real Life of Alejandro Mayta is a good demonstration of Vargas Llosa’s reactionary politics.

In his acceptance speech for the Nobel prize, Vargas Llosa commented extensively on the “terrorists” in the world today who are the enemy of what he calls “liberal democracy” (capitalism). Spouting the best pro-imperialist rhetoric, Vargas Llosa makes the case for imperialist militarism with lies about the freedom and beauty of capitalist so-called democracy:

“Since every period has its horrors, ours is the age of fanatics, of suicide terrorists, an ancient species convinced that by killing they earn heaven, that the blood of innocents washes away collective affronts, corrects injustices, and imposes truth on false beliefs. Every day, all over the world, countless victims are sacrificed by those who feel they possess absolute truths. With the collapse of totalitarian empires, we believed that living together, peace, pluralism, and human rights would gain the ascendancy and the world would leave behind holocausts, genocides, invasions, and wars of extermination. None of that has occurred. New forms of barbarism flourish, incited by fanaticism, and with the proliferation of weapons of mass destruction, we cannot overlook the fact that any small faction of crazed redeemers may one day provoke a nuclear cataclysm. We have to thwart them, confront them, and defeat them. There aren’t many, although the tumult of their crimes resounds all over the planet and the nightmares they provoke overwhelm us with dread. We should not allow ourselves to be intimidated by those who want to snatch away the freedom we have been acquiring over the long course of civilization. Let us defend the liberal democracy that, with all its limitations, continues to signify political pluralism, coexistence, tolerance, human rights, respect for criticism, legality, free elections, alternation in power, everything that has been taking us out of a savage life and bringing us closer – though we will never attain it – to the beautiful, perfect life literature devises, the one we can deserve only by inventing, writing, and reading it. By confronting homicidal fanatics we defend our right to dream and to make our dreams reality.”

Vargas Llosa went on to talk about his political views:

“In my youth, like many writers of my generation, I was a Marxist and believed socialism would be the remedy for the exploitation and social injustices that were becoming more severe in my country, in Latin America, and in the rest of the Third World. My disillusion with statism and collectivism and my transition to the democrat and liberal that I am – that I try to be – was long and difficult and carried out slowly as a consequence of episodes like the conversion of the Cuban Revolution, about which I initially had been enthusiastic, to the authoritarian, vertical model of the Soviet Union; the testimony of dissidents who managed to slip past the barbed wire fences of the Gulag; the invasion of Czechoslovakia by the nations of the Warsaw Pact; and because of thinkers like Raymond Aron, Jean Francois Rével, Isaiah Berlin, and Karl Popper, to whom I owe my reevaluation of democratic culture and open societies. Those masters were an example of lucidity and gallant courage when the intelligentsia of the West, as a result of frivolity or opportunism, appeared to have succumbed to the spell of Soviet socialism or, even worse, to the bloody witches’ Sabbath of the Chinese Cultural Revolution.”

Finally, Vargas Llosa made clear his support for the neocolonial governments in Latin America, pretending that they represent “functioning” democracy in the interests of the people and “supported by a broad popular consensus.”:

“We are afflicted with fewer dictatorships than before, only Cuba and her named successor, Venezuela, and some pseudo populist, clownish democracies like those in Bolivia and Nicaragua. But in the rest of the continent democracy is functioning, supported by a broad popular consensus, and for the first time in our history, as in Brazil, Chile, Uruguay, Peru, Colombia, the Dominican Republic, Mexico, and almost all of Central America, we have a left and a right that respect legality, the freedom to criticize, elections, and succession in power. That is the right road, and if it stays on it, combats insidious corruption, and continues to integrate with the world, Latin America will finally stop being the continent of the future and become the continent of the present.”

This book is indicative of Vargas Llosa’s work which does greater disservice to the revolutionary movement in Peru than those who write bourgeois fiction without pretending to have historical context or political purpose. The novel reviews the life of a fictional revolutionary activist in Peru in the 1950s who participated in a small focoist uprising before ending up in prison. The book describes revolutionary parties as all small marginalized groups wasting their time studying dead guys and debating theory. And it leaves the reader questioning the commitment of all who participate in revolutionary politics, assuming that everyone sells out somehow to pursue their own interests in the end. The peasants and workers are virtually ignored in the book, portrayed only as pawns in the work done by activists.

This novel focuses on a small Trotskyist party, the product of several splits in previous Trotskyist groups, and specifically on one of the party members, Alejandro Mayta. Interestingly, in a brief description of how Mayta ended up in this party, Vargas Llosa describes his movement from group to group, each time rejecting the previous one as not correct enough politically, until he ended up with the Trotskyists as the most pure political line he could find. MIM(Prisons) has some agreement with this description in that Trotskyism is pure idealism and it appeals to those who don’t like to get their hands dirty with the realities of revolutionary politics.

Eventually Mayta deserts the Trotskyists to join up with a focoist movement in the mountains that is going to take armed action. He is galvanized by the idea of real action rather than the talk that his Trotskyist group has been engaging in for years. He is kicked out of his party, who consider the action premature, and also because Mayta has approached the Stalinists to participate in and support the focoist action.

Focoists believe that the armed actions of a small group of people will spark the masses to join the revolution. This is an incorrect view of revolutionary strategy. History has demonstrated that small groups of insurgents are not sufficient to bring about revolution; successful revolutions have come through the hard work of organizing the masses. As inspiration, many focoists look to the Cuban revolution, and Castro is mentioned repeatedly in the book. But the Cuban revolution is the only example focoists have of anything resembling success, and while that revolution did deliver a blow to U.$. imperialism, it created a state-capitalist country dependent on the Soviet Union.(2) Like other focoist actions, Mayta’s small group is captured during their armed insurrection. And there is much debate about whether desertion, betrayal, or just poor planning led to their failure.

A recurring theme in this book is the claim by the narrator that the truth of history is impossible to determine. In interviewing people about the life of Mayta the narrator gets conflicting stories from everyone he talks to, and is unable to figure out exactly what happened. This nihilist position encourages people to just give up rather than seeking to understand and interpret history to help forward progress in the future. Ironically Vargas Llosa thinks he knows the definitive truth about the history of politics in many countries as he interprets history through the lens of the imperialists.

Through this fictional novel, Vargas Llosa manages to attack a vast range of revolutionary theories and practices, and leave the reader disillusioned and without hope for a better future for the people of Peru. He does not try to hide the poverty and despair that is the everyday reality of life for the Peruvian people, but condemns revolutionaries, politicians, and everyone else to failure in a maze of corruption, collaboration and irrelevant theories. There is no redeeming political value to this book which could depress even the most militant of activists.

Legend of the Guardians: The Owls of Ga’Hoole (2010)

We have to give props to a kids’ movie that can portray an anti-fascist struggle, while downplaying the glamor of war. Soren is a young owl who dreams of meeting his heroes, the Guardians of Ga’Hoole, who are legendary for defending the owls against evil forces. He and his brother Kludd are kidnapped by the fascist owls, “The Pure Ones”, who recruit a select few from their species of owls to join their army and enslave all other species of owls. Soren escapes and flees to find the Guardians for help while his brother joins the Nazi owls.

Soren’s journey to the Guardians requires him to learn to fly and take a difficult trip with a few fellow travelers who believe in the mission. As the Guardians gather information and prepare for battle with the fascists they learn that one of their leaders is working for the enemy and has betrayed them. This is a good lesson in the need for vigilance against spies and turncoats in the anti-fascist struggle.

Kludd’s decision to join the fascists is played as a simplistic need for recognition after a childhood of struggling to achieve next to his brother. But this is not so far off. Fascism appeals to people who are easily convinced that their lack of success can be overcome at the expense of others. In Amerika we have a large labor aristocracy who are paid more than the value of their labor with profits brought home from exploitation of Third World workers; these workers have a material interest in imperialism. Those who are in the lowest stratum of the labor aristocracy look around and see that they are not achieving the same wealth as their peers. This group of people are the most likely to go for fascist rhetoric that blames their failures on immigrants and Third World workers with promises of greater wealth for those who deserve it (i.e. the white nation). There was no labor aristocracy in The Owls of Ga’Hoole but the oppressed nations were represented by the different species of owls who, just by nature of birth, were considered inferior to “The Pure Ones.”

When Soren meets the Guardians he gets to know one who is somewhat crazy and a bit of an outcast, only to learn that he was the heroic leader in previous battles. From this owl Soren learns that war is not all glamor and has real consequences. The decision to fight the fascists was taken seriously with this in mind.

For a kids’ movie, Legend of the Guardians has a lot to offer, but we’d rather see the oppressed nations (or species in this case), organize to rise up and fight for themselves. The movie makes that impossible by drugging all the slaves and implying that the rest of the owls from other species were completely in the dark about the fascist plot to take over the world. This plot twist might have been possible if they had gone further and The Pure Ones struck out in battle so that other species realized what was happening.

That a group of heroic owls had to save the world and defeat the fascists was made somewhat better by their failure due to turncoat betrayal requiring Soren and his fellow travelers to join the battle and save the day. At least this reinforced that anyone could be a heroic part of the anti-fascist struggle, not just the special heroes of Ga’Hoole.

I am shocked by the stupidity of the Amerikan people to recognize the causes of this economic cri$i$ and the roots of the current covert and overt imperialist wars (i.e. massacres) against other native nations and majority-driven grass roots movements. But I am equally disturbed in what I see going on within Amerika. I don’t believe there is any will by the Amerikkkan people to resist against this United Snakes of surveillance. Instead what we have is ridiculous groups like the Tea Party whose true fear is of Amerika losing its hegemony to rising Oppressed Nations.

A lot is to be blamed for this. Like letting political pundits and the co-opted media determine the topic and language of social debates. And don’t get me started on the media’s go-to military West Point grad analysts who are supposedly going to give us a fair and truthful analysis. All we hear is terror terror terror, national security security security, austerity cuts cuts cuts, and planned protest protest protest.

To hell with the debate over Republikkkan or Democrat$. I’m ready for the revolution. A revolution is what we need to uproot the military industrial complex. A revolution would make the imperialist monopolies U$ currency paper worthless. A revolution would accomplish all that is needed. Yet our potential comrades are bogged down in appeasing Saturday or Sunday protest while the CEOs and corporate board members are out on their yachts. We’re stuck in de-centralized legal battles while the political establishment appoints and upholds outrageous U$ supreme court decisions which undermine dozens of hard fought legal battles.

I could elaborate all century about the genocides, entrapments, and swindling business that this police state has committed but that is of little use to us enlightened few. Tactics, strategy and the execution of both is what we should focus on. The execution of tactical and strategic methods will vary depending on your individual prisons and predicaments within those bars of oppression. I myself am very limited in the activism I can contribute to the revolutionary movement because I’m in solitary confinement for the next three years (minimum). But through obscure ways I can talk with others. I use this channel of communication to convince and discuss current, past and future events.

I never discuss or answer anything in the language of the oppressor. What justice does it do us to use the term “bailout” when it’s really a robbery? What justice does it do to call a Saudi fighting in Afghanistan a foreign fighter or terrorist and then on the contrary call an Amerikkan soldier fighting there a liberator or patriot. What justice does it do us to call a hungry man who takes from the oppressive rich a criminal and then on the contrary enable U$ exploitative foreign policy by calling it national interest. When we talk in the language of the oppressor we legitimize the frivolous arguments that ignorant amerikans have been partaking in since the consolidation of the modern media establishment that sponsors this imperialist empire.

So please comrades be more conscious of your choice of words when debunking this “amerikan dream” myth. This imperialist hegemony is in judicial, information, and economic cardiac-arrest (I wish I could say the same about the military). Propaganda is in full swing and the best tactical defense and offense is that of dialectical historical materialism. DHM is more than just 19th century literature It’s a social and political science developmental pattern that serves as the best kryptonite to capitalism and this so-called democracy. So lets all convey our messages as revolutionary comrades and not as stupefied soldiers.

MIM(Prisons) responds: This comrade makes a good point about the importance of language in shaping our discussion about politics and current events. We need to use every tool at our disposal to expose the imperialists. However, we do not agree that Amerikans are “stupid” for not recognizing the causes of the economic crisis, or that the media is to blame for this. While the mainstream media is certainly serving the imperialists, Amerikans are going along with it because it is what they want to hear. The vast majority of Amerikan’s have been bought off by imperialism and are paid more than the value of their labor with superprofits brought home from the exploitation of Third World. This gives Amerikans an economic interest in sticking their heads in the sand and supporting imperialism. It’s important that we understand the classes within U.$. borders so that we know who has a material interest in revolution and what demands we should be rallying people around. For a more detailed case study of Amerikan wealth, see the MIM(Prisons) article on the U$ housing market printed in ULK17.

The news media has lifted this image of us in total, from the drawing pad of the prosecution and police spokesmen who have a budget funding interest in heightening the public’s fear of prisoners. They traffic in fear for profit just as surely as any drug dealer traffics in narcotics.

As a group, prisoners are shunned and isolated from society, which serves to keep us unheard, unseen and sufficiently distant to mask the inconvenient truth of our humanity. Unsatisfied with our present excessive sentences and hopeless parole hearings, the state, through the ever-solicitous news media, paints a picture of prisoners as cartoon cut-outs of a somnolent evil, awaiting an ‘early’ release (which is in their eyes, any release this side of death). Then to swoop down and fall on society, like the mongolian hoards of Attila or the evil flying monkeys from ‘The Wizard of OZ.’

The gang member, the mentally ill, and the drug dealer are each depicted as heinous, the sex-offender has the honor and burden of being designated the premier ‘hated minority.’ Some of our fellow prisoners believe, mistakenly, that the legal excesses directed at the sex-offender, will drain off the venom and hatred of the fear-driven stampede headed our way. It will not. Emboldened by their success against sex-offenders, they see no reason not to widen the scope of their offensive against liberty and justice, to ‘cast a wider net.’ And as they do so, we are unable to counter this wider application of law or restriction because with the unchallenged perversion of justice burdening the sex-offender there is legal precedent for us to be yoked together and like-wise bear an excessive penalty and burden. In the end we are all equally heinous in the eyes of the law.

Once started, this treatment of people as less-than-human, progresses inexorably, ever-widening, all-encompassing and proud of its own inhumanity. First the sex-offenders, then gang-members, then felons of every type, then misdemeanants, inflators, infractors, smokers and skateboarders, the ‘disapproved’, will each in turn, become one of ‘those’ who don’t deserve justice. We’ve seen this before. Pick any pogrom, massacre, ethnic cleansing, relocation or concentration camp in history and you’ll find that it’s genesis was right here in the same denial of humanity and justice.

We are nearing the end of 2010 and the progression of anti-human, anti-liberty and anti-justice continues unabated. Here in the Fresno, California area, the young father, who put a thumb-nail sized tattoo on his son’s side was sentenced to eight years in prison, pleading guilty to a child abuse charge to avoid a life in prison sentence. And just in time! A new law just passed in California, called ‘Adams’ Law’, reflecting the shameful practice of naming unjust and legally dubious laws after children who have suffered death or abuse. What kind of memorial for a child is it, when the state commits injustice in their name?

Tron:Legacy
December 2010

This sequel to the 1982 original Tron movie which was a technical trailblazer for its use of CGI but not a big hit, includes dazzling 3D special effects but not much else. The plot focuses on Sam Flynn, the grown son of Kevin Flynn who was the main character in the original Tron. Kevin, a computer visionary, disappears when Sam is 7, because he got stuck inside The Grid of an alternate computer universe that he created. The grown up Sam gets himself transported into this alternate universe and some dazzling race and fight scenes and trite plot lines ensue.

Tron: Legacy had a lot of potential for some interesting political content. There is the new digital race of people who came into being inside the computer universe. These people were all but completely wiped out by the evil dictator program Clu in his quest to eliminate all imperfection. Clu, the not so subtle fascist dictator, is a program that was created by Kevin Flynn, to help him build the perfect world. So we get a good solid anti-fascist message here. But the alternative, from Kevin, is praise for individualism and it’s inherent imperfections, now that he’s realized his mistake with Clu.

Rather than have the masses (of program beings) rise up against the fascist dictator, we’re just told dismissively that they were all killed (but one). There are a few rumblings of the other programs being unhappy with dictator Clu, but they are incapable of organizing themselves into any resistance and the few we see either die or end up being turncoats serving the fascists. The only signs of useful resistance come from heroic individualist actions by programs who break with their fascist leader but with no explanation or organization.

In the end, the big individualists themselves are the only ones who can defeat the fascist dictator and save both the real world and the digitized alternate universe. This leaves us with three super-heroes who only need to kill off the dictator and all is right in the world.

Fundamentally Tron: Legacy promotes individualism and worship of leaders while dismissing the revolutionary potential of the masses. It suggests that the masses can only be liberated/saved by a leader who is much smarter than them. And so, in spite of it’s lip service to anti-fascism, MIM(Prisons) doesn’t recommend Tron: Legacy.

Most people are familiar with the patriarchy and exploitation of females in hip hop culture, especially in the music industry. From the days of 2 Live Crew to Snoop Dogg’s appearance at the awards show with women who had dog collars and leashes around their necks to Nelly’s “Tip Drill” video showing him swiping a credit card between a woman’s butt cheeks, and don’t forget his marketing of the energy drink “Pimp Juice.”

All the above is abhorrent and should be criticized but no one really talks about the pseudo-feminists in the music industry. For example, Debra Antey, the CEO of Mizey Ent. and former CEO of So Icey Ent. and manager of Nicki Minaj, the latest hot female rapperstar and piece of porn for me to jerk off on.

A brotha also studying MT2/3 sent me an article from the Dec/Jan 2010 magazine XXL. We think this article points out the contradictions and bullshit these pseudo-feminists espouse. Antey was asked in this article “How to take Nicki Minaj to new heights?” Antey’s answer: “with Nicki you have to know the role that you’re about to step into. You’re about to open the door for a lot of women, and you can’t open it through the sexual stuff. She had to make a more conscious effort about what she was saying, and it’s starting from the babies… I’m about empowering women, and Nicki is a product of that.”

Anyone who’s listened to Nicki’s lyrics or seen any photos (promotional) of Nicki can only conclude that she’s just the latest in a long line of females being objectified to make money. What’s so empowering about Nicki calling herself a “5 star bitch,” dressing sexually provocative and talking about men paying her for sex (taking her shopping). How is that empowering women?

“Pornography has no value if it shows women doing empowering, important, and meaningful things. Its value is tied to portraying a bitch ready to be raped.” (MT2/3, pg 127)

In street terminology, Antey is a pimp. She enriches herself through the exploitation, pornographic objectification of young black female entertainers, Nicki in this instance. It’s all game.

Antey was asked a second question: “On being a ‘powerful’ woman in a male-dominated business.” Her answer: “in the beginning, it was hard. I’d go to the table with a group of men, and nobody was hearing me. But I got a big mouth, so eventually you are gonna hear me, and I’m gonna stand my ground. I’m a strong woman. In the beginning, it was a little nerve-racking, but now it’s a beautiful thing.” Of course, it’s a beautiful thing to Antey. She’s getting paid big dollars. She’s a pimp and she was able to convince the male-dominated industry that she was not a “threat to the men creating, marketing and profiting from the exploitation and economic coercion of the women who participate in making [pornography].”(MT2/3, pg 128) She assured them that their interest was her interest and that she was male also.

The point is that the pseudo-feminists have been highly successful in deflecting criticism away from themselves. MIM is the only organization that I’ve seen take them to task and expose them.

Jean Grae rapped in the song “knock”: “I rhyme sick but niggas is quick to turn their backs on spitters with clits /…/ they still want chicks with tits and ass out / my respect is worth more than your advance cash out.” The Debra Anteys (pseudo-feminists) of the music industry turn their backs also. “They are working to gain themselves more power to join in the oppression, and to profit off the labor and deaths of the poor and nationally oppressed peoples of the world.” (MT2/3, pg51)

MIM(Prisons), we have much, much more to say on this and other topics mentioned in MT2/3. Especially, the “all sex is rape” and there’s “no good sex” under capitalism.

Thanks for pointing out the socially constructed gender theory. It’s right on point.