Our komrades in MIM(Prisons) ask “what role does Hip Hop have to play
today?” As a revolutionary culture, that is.
Since rappers are hard core capitalists it’s a waste of time for me to
even contemplate this question. As revolutionaries we must not waste
time or energy on things we know aren’t going to change. Let’s keep it
one hundred on a revolutionary level. Hip Hop has digressed not
progressed.
It has come a long way. It’s gone from “Fight the Power” by Public Enemy
and Cop Killer by Ice T (who ironically enough now plays a pig in one of
today’s many cop shows) to “You’re a Jerk” by the new boyz (the present
#1 video on 106th and Park - B.E.T.) and “Throw it in the Bag” by
Fabulous featuring The Dream (a shoplifting song).
So you see komrades, what Hip Hop has to do concerning the revolution
and what they’re doing and continue to do and will always do is on the
opposite side of the revolutionary train of thought. I don’t knock Hip
Hop’s hustle. It is what it is. I enjoy Hip Hop as entertainment while
disregarding most of their lyrics lest I be tempted to shoplift (humor).
On the real, though, prior to the presidential elections B.E.T. (Black
Entertainment Television), the Hip Hop channel, pushed hard for the
election of Obama. Almost 24/7. Rappers threw rallies, wore shirts and
pins promoting the vote for Obama. What do you think would’ve happened
if this much attention would’ve been given to Sean Bell when he was
murdered by three pigs of the NYPD? What would’ve happened if every
single rapper who was still in the rap game at this time made entire CDs
rapping about police brutality? Would it have raised a revolutionary
consciousness within our urban youth? What if every CD put out at this
time was dedicated to the memory of Sean Bell? What if every CD has the
face of Sean Bell on its cover instead of a video girl in a thong bent
over a Benz? Yea, that’s all we’re going to get: what if.
Instead this is the reality check. Michael Vick formerly of the Atlanta
Falcons gets sent to prison for fighting some dogs, they’re about to
send Plexico Burress, formerly of the New York Giants to prison for
shooting himself accidentally, and the three pigs who riddled Sean Bell
with bullets get sent home to their families. Meanwhile Sean Bell’s
children have no father. Sean Bell was unarmed.
It’s a “bloody” shame too, because the fact is, music in general has
always bridged together cultural differences.
Is Hip Hop a vehicle for change? It can be, but it won’t be. It will
continue to pursue the all mighty dollar. What does the revolutionary
culture or revolutionary culture (without the “the”) look like? In the
Hip Hop culture I don’t see it. But if I was a Hip Hop rapper this would
be some of my CD titles:
Sean Bell, Blood in my Eye, Police Brutality, Assassins with Badges,
Modern Day Gestapo, When will they Murder Me?, Attica 71, It’s now or
never.
But since I can’t rap a lick that ain’t gonna happen either. So all we
can do is what we can do. If you know how to rap then put it down and
bring revolution to the rap game because what’s already there is simply
a Rapper$ Delight.
MIM(Prisons) replies: While we certainly agree with the
points made on the injustice of the Sean Bell murder, we point out that
many people still rap about Sean Bell years later. And a whole CD was
put out for Oscar Grant, with many others putting out singles in respect
to him. Most of them were very critical of the police and their
connection to the state including Obama. These don’t get as much play as
the other crap out there, even crap by the same artists who put out
these revolutionary songs.
It costs millions of dollars to make a song “popular.” Therefore, if you
look at the list of songs that get the most rotation, they’re all owned
by two corporations: Universal and Sony (occasionally Capitol gets one
in). If you aren’t sponsored by one of these companies you cannot afford
the payola. That is part of the game. So even the big artists who do
some songs for the people have to write most of their songs for the
money, or else they choose to not be a “big artist.” Therefore most of
what the people listen to is still crap.
If you check out some of the artists that aren’t on BET, in XXL or on
for-profit radio stations then there is no doubt that a revolutionary
undercurrent to hip hop is still present. What will never happen is hip
hop becoming revolutionary for profit. But hip hop is already playing a
revolutionary role at the fringes.