The Culture Corner: Eseibio The Automatic

“[Our purpose is] to ensure that literature and art fit well into the whole revolutionary machine as a component part, that they operate as powerful weapons for uniting and educating the people and for attacking and destroying the enemy, and that they help the people fight the enemy with one heart and one mind.” (1)

This feature, “The Culture Corner,” is a space designated to highlight and share cultural content that expresses revolutionary ideals and principles. “The Culture Corner” appears in the newsletter Power Moves, an internal newsletter distributed in certain Texas prisons, and is being reprinted here.

In 2024, the hip-hop genre has evolved to be the most influential genre of music in the world. As such, it is incumbent upon revolutionaries to utilize this genre to express revolutionary ideals and to advance revolutionary consciousness and solidarity.

One artist that has done this prolifically, while steadfastly maintaining a revolutionary nationalist and anti-capitalist political line, is Bay Area lyrical comrade The Revolutionary Eseibio The Automatic.

Just as important as eir content, in my view, is the accessibility of the music to the captive population. In the prison climate today, dominated by tablet devices with their purposely indoctrinating content, Eseibio’s content does its job by providing a revolutionary alternative. Eir content can be accessed on J-pay/Securus tablets on the media store app. Simply search music and type the artist’s name as spelled above. Eseibio has an extensive catalog of music, spanning over a decade worth of material with a wide number of albums and mixtapes.

While all of Eseibio’s material is revolutionary with an underground flavor, there are certain albums and songs that stick out more than others. These include the albums “Black Panther” and “African Revolutionary”. The former’s tracklist reads like a history lesson on the Black Panther Party. Standout tracks like “10 Point Program,” “Hands Off Assata,” “Red Book,” “Letter to Afeni,” “Smile 4 Pac,” “Off the Pigs,” and “George Jackson Day of the Gun” are bangers that also educate the listener. Other standout tracks like “Juche,” “Che Guevara,” “Bust A Cap,” “Kwame Nkrumah,” “Black Boots,” “In Defense of Self-Defense,” “Free The Land,” “Free Em All,” and “C.R.E.A.M-Capitalism Rules Everything Around Me” should be in steady rotation.

Most important of all is that Eseibio, and other artists that shall be featured in “The Culture Corner” in the future, provide a platform for political prisoners to bring brothers, sisters, mothers and fathers who were left by the wayside into the revolutionary movement. It is not good enough to complain of the maneuvers of the enemy. We have to be good at improvising on the new realities. This is only one way of mixing up the necessary improvisation.

A clenched fist salute to The Revolutionary Eseibio The Automatic and all other revolutionary and conscious artists using their talents for the advancement of the class and national struggles.

“The Culture Corner” will put the spotlight on other artists in future issues, We recommend you to go check out the comrade Eseibio.

^{Notes: (1) Mao-Tse-Tung’s Selected Works III p.84, “Talks at the Yenan Forum on Literature and Art.”}