This is an archive of the former website of the Maoist Internationalist Movement, which was run by the now defunct Maoist Internationalist Party - Amerika. The MIM now consists of many independent cells, many of which have their own indendendent organs both online and off. MIM(Prisons) serves these documents as a service to and reference for the anti-imperialist movement worldwide.
We Were Soldiers (2002)
dir. by Randall Wallace
We agree with many movie critics that the movie "We Were Soldiers" departed
heavily from critical Hollywood Vietnam war movies like "Full Metal Jacket"
and "Platoon" or the highly personalized "Born on the Fourth of
July." "Soldiers" not only tried to make the men of the 7th Airmobile
Division look professional--"just doing my job, ma'am, nothing personal"--but
it portrayed them as deeply patriotic, in an almost religious sense, devoid
of politics. In this the film builds on the other recent war film, "Black
Hawk Down," which also emphasized soldiers' personal commitment to each other
over any discussion about what the soldiers were doing and why.
Thus, behind the weekly list of box-office hits--"biggest opening in a month
beginning in 'J' in an odd-numbered year ever"--is the unseen hand of the
Pentagon, White House and their super-patriot conspirators in Hollywood. They
want to hype Amerika's sense of pride and unity.
In order to look objective, the "Soldiers" tried to strike a balance by
showing the human side of the Vietnamese People's Army (NVA), the Amerikan
adversary in the war. The film tried to recount the NVA struggle against the
French--if only to differentiate the "freedom-loving" Amerikans from the
colonizing French
But ultimately the film just made the Vietnamese look stupid to highlight the
Amerikan technological advantage in the air and in firepower. Thus the film
only justifies and escalates the awesome terror war machine that we witness
today in Afgahistan and the Philippines.
Counterproductive self-glorification
Actually the film echoed all the anti-communist pictures in the past. "55
Days in Peking" (1963), "Sand Pebbles" (1966), "The Green Berets" (1968) and
other racist films that depicted Asian peasant-based revolutionaries as
mindless suicidal hordes, doomed to be defeated by smarter, stronger
Westerners.
But if the movie viewer will only be a keen observer one may ask: Is it not
the height of desperation for a ground commander to order his air and
artillery support to fire on his perimeter for the fear of being overrun by
his enemies? Only a commander on the brink of defeat would give such an order.
Moshe Dayan, the Zionist defense minister in 1967 said, "The Vietnam War is a
helicopter's war, so the U.S. will win this war." How wrong he was. In 1975,
the US withdrew all its forces in Vietnam and until now is trying to exorcise
the ghost of its terrible defeat in that war. All of the Amerikan
imperialists' technological superiority could not save them from defeat in
Vietnam, any more than it can stop "terrorist" attacks at home.
You'd think the Amerikan imperialists would have learned their lesson and
quit meddling in other nations' affairs; quit backing corrupt politicians
allied with feudal lords; quit exploiting the world's majority. But they
can't. It's in their nature, as Mao said. They are driven to conquer greater
and greater profits, so they "make trouble, fail, and make trouble again"
until the proletariat puts them down for good.
Hollywood makes this kind of movie to pacify ruffled hearts and minds. Movies
will not exorcise the ghost of Amerika's defeat in Vietnam. It will take more
than a wall of remembrance in to turn their defeat to victory.
Yes, Virginia, if the United $tates could not win in China, Vietnam, Cuba or
any part of the world they want to, at least they can win in their movies
like "We Were Soldiers."
--MZ276, a friend of MIM; edited by MC206